Author's Archive
01.03 2015
Cogma
Opening Friday Jan 9, 2015
Featuring new work from Thomas Pontone and John Mitchell.
09.25 2014
Please Pardon Our Appearance
Opening Reception: Friday, October 3, 2014 / 7-10pm
Exhibition Dates: October 3 – October 29, 2014
Space 1026 is pleased to announce our upcoming exhibition, Please Pardon Our Appearance, by Jacob Lunderby. This exhibition opens Friday, Oct. 3, 2014 with a reception from 7-10 pm. For this exhibition, Lunderby depicts images of windows that have been digitally modified and layered over enamel paint on wood panel. While the production of work includes the use of digital resources and printing, the artist’s objective is to see the work in a context of painting.
The paintings of windows originate from one of two gestures: blocking out to prevent observation into an interior space, or covering a break to arrest fracturing of the window surface. As with the vernacular of painting, the images of windows shift between presentation of depth, surface tension and reflectiveness. The marginal materials used as devices to control vision and the sense of precarious formalism found in this meshwork of image and pattern provides a generative model to engage layers of attention, materiality and durations of time, from the context of a restaged image to the life span of a painting.
Through the process of using images that gesture towards methods of concealment, containment and protection, Lunderby uses painting to engage the potential to contain, disrupt or direct vision, and address the image/painting object in its complex relationship to time and context.
Jacob Lunderby is an artist, educator and preparator based in Philadelphia, PA. His recent exhibitions include: Redactor, Pentimenti Gallery, Philadelphia, PA (solo); Cephalopod Interface, Okinawa Prefectural Art Museum, Naha City, Okinawa; Confiscape, Circa Gallery, Minneapolis, MN; The Implication, Emory and Henry College, Emory, VA (solo); Painting Zombies, Regis Center for the Arts, Minneapolis, MN; Heaven on Earth, Little Berlin, Philadelphia, PA; Minnesota Museum of American Art, St. Paul, MN; and more. He received an MFA from the University of Minnesota (2002) and BFA from the Minneapolis College of Art & Design (1998). Lunderby is represented by Pentimenti Gallery, Philadelphia. All work appearing in this exhibition comes courtesy of Pentimenti Gallery.
06.26 2014
San Fransico! Solo Show Jim Houser
NIGHT GOT QUIET NOT QUITE LIGHT
Using his signature color palette, the shades of sky blue, turquoise, baby blue, dark red or burgundy, Jim Houser gives his work an innocent almost naive feel. The paintings narrate stories about moments, experiences and emotions from the artist?s life in an unique way, using both graphic elements and symbols, and literal words. Skateboards, books, fish scales, arrows, portraits, ramps, waves and written words, are some of his favorite elements, all presented in cluster like forms and are often created using collage, acrylic, found objects, wood or fabric, blurring the lines between flat images and sculpture by forming highly textured pieces.
Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currently resides. He is a self-taught artist and an honorary member of the Philly-based artist collective Space1026. His work explores the cadence of speech, science and science fiction, sickness and disease, plants and animals, time travel, ghosts, the art of children and the gravity of fatherhood, codes and code breaking, music and music making.
Houser’s collages, paintings and installations have been exhibited in museums and galleries throughout the United States, Europe, Australia and Brazil. His work is included in the permanent collection of the Philadelphia Museum of Art and the Philadelphia Academy of Fine Art. Recently, Houser released a vinyl record of instrumental music composed to accompany his installations.