09.24 2013
COMEDY DREAMZ MENTIONED IN THE VILLAGE VOICE
The show Comedy Dreamz hosted by Space 1026er Andrew Jeffrey Wright and Sweatheart front woman Rose Luardo gets a mention in The Village Voice’s Cheap Laughs: The Best (Mostly Free) Indie And Alt Comedy This Week. Read all about it HERE!
09.23 2013
ACID RAIN “Acid Reflux” screening + Unguent / Embarker – Wednesday at 8pm!
09.17 2013
A NEW WEEKLY COMIC BY ANDREW JEFFREY WRIGHT ON THE INTERNET FOR YOU!
On the website THE WORLD’S BEST EVER, every Friday, a new comic by Andrew Jeffrey Wright. See the first one HERE!
09.15 2013
SEPULCHRAL RELEASE
wild abstract cassette releases from member Lance Simmons newish label
REFULGENT SEPULCHRE
every tape an object
every sound a portal
09.11 2013
ACID RAIN – “ACID REFLUX” [2008-2013]
September 25, 2013 - 8pm
Participating artists:
About:
Fall Tour 2013 from Acid Rain Production on Vimeo.
09.10 2013
SCREENING OF “THE LEGEND OF COOL “DISCO” DAN” DOCUMENTARY IN PHILLY
THE LEGEND OF COOL “DISCO” DAN
SEPTEMBER 12 | PHILADELPHIA, PA
THE RITZ EAST
Free Screening with RSVP: rsvp@rrockenterprises.com
09.04 2013
Katie Murken FIGHT WELL AGAINST THE FUTURE
Fight Well Against the Future is a new series of collage-based drawings and sculptural assemblage that imagine an encounter between past and present attitudes towards the future, nature and civilization. These works on paper are constructed through a manual cut and paste technique and combine digital prints culled from images of Mesoamerican architectural ruins, gilded ink drawings of parked cars, and hand-rendered surfaces evoking landscapes of blacktop, night sky, swimming pools and ethereal forests. The sculptural pieces are three-dimensional collages that extend this narrative into space by placing the viewer in an abstracted relationship with the landscapes depicted.
Trained as a printmaker and book artist, Katie Murken creates site-specific installations that position her hand-made objects, books and drawings in relationship to diverse environments and audiences. This exhibition follows upon Murken’s installation Continua, in which phone books were used as the modular unit to explore the color spectrum in three-dimensions through a game of harmony, chance and probability. Though divergent from Continua in media and voice, Fight Well Against the Future also hinges on a chance encounter between images that creates an edge where a precise set of meanings can be explored. In this case, the two sets of images are parked cars and ancient Mesoamerican architectural ruins. The encounter happened in a sketchbook that Murken carried on a trip in 2009 to south-central Mexico and later to Colorado. A quick contour sketch of car parked outside a hotel room in Denver where they have a